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28 Days Later (Widescreen Edition)
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Starring: Murphy, Cillian Harris, Naomie Gleeson, Brendan Huntley, Noah Dunne, Christopher Murphy, Cillian Harris, Naomie Harnett, Ricci Harnett, Ricci Bill, Leo
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Director: Boyle, Danny	Rating: R	Running Time: 1 Hour 53 Minutes
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Category: Horror	User Rating: 7.3/10 (IMDB)	Color Dolby

Amazon.com The director/producer team that created Trainspotting turn their dynamic cinematic imaginations to the classic science fiction scenario of the last people on Earth. Jim (Cillian Murphy) wakes up from a coma to find London deserted--until he runs into a mob of crazed plague victims. He gradually finds other still-human survivors (including Naomie Harris), with whom he heads off across the abandoned countryside to find the source of a radio broadcast that promises salvation. 28 Days Later is basically an updated version of The Omega Man and other post-apocalyptic visions; but while the movie may lack originality, it makes up for it in vivid details and creepy paranoid atmosphere. 28 Days Later's portrait of how people behave in extreme circumstances--written by novelist Alex Garland (The Beach)--will haunt you afterward. Also featuring Brendan Gleeson (The General, Gangs of New York) and Christopher Eccleston (Shallow Grave, The Others). --Bret Fetzer --This text refers to the Theatrical Release edition. DVD features Even though it's only a single disc, the 28 Days Later DVD includes a lot of very interesting features, including the alternate ending that was shown after the end of the film a couple months into its theatrical run. It's much bleaker, as director Danny Boyle and writer Alex Garland say in their optional commentary. Another alternate ending is almost the same as the theatrical ending but slightly less happy. Most interesting is the "radical" alternate ending that takes an entirely different... read more

Blair Witch Project, The
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Starring: Donahue, Heather Leonard, Joshua Williams, Michael Leonard, Josh King, Jim S�nchez, Sandra Swanson, Ed DeCou, Patricia DeCou, Patricia Hallex, Jackie
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Director: (II), Eduardo S�nchez	Rating: R	Running Time: 1 Hour 27 Minutes
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Category: Horror	User Rating: 6.0/10 (IMDB)	Black & White Stereo

Amazon.com The Blair Witch Project Anyone who has even the slightest trouble with insomnia after seeing a horror movie should stay away from The Blair Witch Project--this film will creep under your skin and stay there for days. Credit for the effectiveness of this mock documentary goes to filmmakers Daniel Myrick and Eduardo Sanchez, who armed three actors (Heather Donahue, Michael Williams, and Josh Leonard) with video equipment, camping supplies, and rough plot outlines. They then let the trio loose into the Maryland woods to improvise and shoot the entire film themselves as the filmmakers attempted to scare the crap out of them. Gimmicky, yes, but it worked--to the wildly successful tune of $130 million at the box office upon its initial release (the budget was a mere $40,000). For those of you who were under a rock when it first hit the theaters, The Blair Witch Project tracks the doomed quest of three film students shooting a documentary on the Burkittsville, Maryland, legend of the Blair Witch. After filming some local yokels (and providing only scant background on the witch herself), the three, led by Heather (something of a witch herself), head into the woods for some on-location shooting. They're never seen again. What we see is a reconstruction of their "found" footage, edited to make a barely coherent narrative. After losing their way in the forest, whining soon gives way to real terror as the three find themselves stalked by unknown forces that leave piles of rocks outside their campsite and stick-figure art projects in the woods. (As Michael succinctly puts it, "No redneck is this clever!") The masterstroke of the film is that you never actually see what's menacing them; everything is implied, and there's no terror worse than that of the unknown. If you can wade through the tedious arguing--and the shaky, motion-sickness-inducing camerawork--you'll be rewarded with an oppressively sinister atmosphere and one of the most frightening denouements in horror-film history. Even after you take away the monstrous hype, The Blair Witch Project remains a genuine, effective original. --Mark Englehart Curse of the Blair Witch Are you wondering just exactly who the Blair Witch was? What the Burkittsville, Maryland, legend was all about? Or what exactly fascinated student filmmaker Heather and what possibly took her, Mike, and Josh from this earth? Get all your background questions answered by Curse of the Blair Witch, a one-stop-shopping "documentary" originally produced for the Sci-Fi Channel as a tie-in marketing tool. Entirely fictionalized, Curse of the Blair Witch focuses both on the past and the present, with copious info on the Blair Witch myth as well as on the disappearance of Heather, Josh, and Mike. As it turns out, the original witch was one Elly Kedward, who was accused in 1785 of taking blood from several children; she was subsequently banished to the harsh winter woods and left for dead. Her grisly and bloody legacy involves missing children, polluted water, disemboweled men, and a serial killer of children who claims to have been haunted by "an old woman ghost." Aside from some ineffective "newsreel" footage of the serial killer, all this intriguing information is presented convincingly and chillingly. Curse may in fact freak you out more than the movie, and it evokes the great, pulpy In Search Of series of the '70s, one of the prime inspirations for filmmakers Daniel Myrick and Eduardo Sanchez. News clips of the search for Heather, Josh, and Mike lend a v�rit� atmosphere to the proceedings, but shed little light on their mysterious disappearance or their characters. Basically, it's a tease to go see the movie. Still, The Blair Witch Project provided only ever-so-slight information on the legend that haunted the forest, so you'll want this cleverly constructed mock documentary to supplement your knowledge of the film. --Mark Englehart

Bram Stoker's Dracula
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Starring: Oldman, Gary Ryder, Winona Hopkins, Anthony Hopkins, Anthony Campbell, Billy Elwes, Cary Reeves, Keanu E. Grant, Richard E. Grant, Richard Waits, Tom
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Director: Coppola, Francis Ford	Rating: R	Running Time: 2 Hours 10 Minutes
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Category: Horror	User Rating: 7.1/10 (IMDB)	Color Dolby

Amazon.com essential video With dizzying cinematic tricks and astonishing performances, Francis Coppola's 1992 version of the oft-filmed Dracula story is one of the most exuberant, extravagant films of the 1990s. Gary Oldman and Winona Ryder, as the Count and Mina Murray, are quite a pair of star-crossed lovers. She's betrothed to another man; he can't kick the habit of feeding off the living. Anthony Hopkins plays Van Helsing, the vampire slayer, with tongue firmly in cheek. Tom Waits is great fun as Renfield, the hapless slave of Dracula who craves the blood of insects and cats. Sadie Frost is a sexy Lucy Westenra. And poor Keanu Reeves, as Jonathan Harker, has the misfortune to be seduced by Dracula's three half-naked wives. There's a little bit of everything in this version of Dracula: gore, high-speed horseback chases, passion, and longing.

Cell - New Line Platinum Series, The
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Starring: Lopez, Jennifer D'Onofrio, Vincent D'Onofrio, Vincent Marianne Jean-Baptiste Jake Weber Weber, Jake Gammon, James Jean-Baptiste, Marianne Jean-Baptiste, Marianne Taylor Vince, Pruitt
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Director: Singh, Tarsem	Rating: R	Running Time: 1 Hour 47 Minutes
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Category: Horror	User Rating: 6.1/10 (IMDB)	Color Dolby

Amazon.com Schizoid serial killer Carl Stargher (Vincent D'Onofrio) has been captured at last, but a neurological seizure has rendered him comatose, and FBI agent Peter Novak (Vince Vaughan) has no way to determine the location of Stargher's latest and still-living victim. To probe the secrets contained in Stargher's traumatized psyche, the FBI recruits psychologist Catherine Deane (Jennifer Lopez), who has mastered a new technology that allows her to enter the mind of another person. What she finds in Stargher's head is a theater of the grotesque, which, as envisioned by first-time director Tarsem Singh, is a smorgasbord of the surreal that borrows liberally from the Brothers Quay, Czech animator Jan Svankmajer, Hieronymous Bosch, Salvador Dali, and a surplus of other cannibalized sources. This provides one of the wildest, weirdest visual feasts ever committed to film, and The Cell earns a place among such movie mind-trips as 2001: A Space Odyssey, Altered States, What Dreams May Come, and Un Chien Andalou. Is this a good thing? Sure, if all you want is freakazoid eye-candy. If you're looking for emotional depth, substantial plot, and artistic coherence, The Cell is sure to disappoint. The pop-psychology pablum of Mark Protosevich's screenplay would be laughable if it weren't given such somber significance, and Singh's exploitative use of sadomasochistic imagery is repugnant (this movie makes Seven look tame), so you're better off marveling at the nightmare visions that are realized with astonishing potency. The Cell is too shallow to stay in your head for long, but while it's there, it's one hell of a show. --Jeff Shannon DVD features Sounding more like a standup comedian than a serious filmmaker in his feature-length commentary, director Tarsem Singh (a veteran of glossy TV commercials and music videos) clearly reveals that dazzling visuals took priority over plot and character in The Cell. This emphasis is echoed throughout the DVD's bonus features, especially in a featurette "tribute" to Singh by primary members of his creative team. While the deleted scenes are interesting, they add nothing to the finished film, so it's... read more Description A therapist (Jennifer Lopez, Out Of Sight) uses an experimental treatment to enter the mind of a serial killer (Vincent D'Onofrio, Men In Black) to learn his secrets. An FBI agent (Vince Vaughn, Swingers) must rescue her from the killer's nightmare mind

Exorcist: 25th Anniversary Special Edition, The
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Starring: Burstyn, Ellen Sydow, Max von Sydow, Max von Flynn, Keri McRae, Ellen Gillooly, Edna Rae Blair, Linda Von Sydow, Max Von Sydow, Max Cobb, Lee J.
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Director: Friedkin, William	Rating: R	Running Time: 3 Hours 17 Minutes
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Category: Horror	User Rating: 7.9/10 (IMDB)	Color Dolby

Amazon.com essential video Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism. Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by Satanic disfiguration. One of the most frightening films ever made, The Exorcist was mysteriously plagued by trouble during production, and the years since have not diminished its capacity to disturb even the most stoic viewers. The film is presented in letterbox format on digital video disc, with a remastered soundtrack that's guaranteed to curdle your blood. The 25th-anniversary Special Edition DVD of The Exorcist is packed with bonus features, including a 74-minute documentary titled The Fear of God: The Making of The Exorcist, which includes interviews with cast and crew, audio commentary by William Friedkin and author William Peter Blatty, a special introduction by Friedkin, theatrical trailers and TV spots, and DVD-exclusive coverage of the film's storyboards and production design. --Jeff Shannon

Godzilla
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Starring: Broderick, Matthew Reno, Jean Pitillo, Maria Azaria, Hank Lerner, Michael Shearer, Harry Dunn, Kevin Azaria, Han Azaria, Han Savant, Doug
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Director: Emmerich, Roland	Rating: PG-13	Running Time: 2 Hours 19 Minutes
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Category: Horror	User Rating: 4.3/10 (IMDB)	Color Dolby

Amazon.com As "gigantic monster reptile attacks New York" movies go, you've got to admit that Godzilla delivers the goods, although its critical drubbing and box-office disappointment were arguably deserved. It's a shameless, uninspired crowd pleaser that's content to serve up familiar action with the advantage of really fantastic special effects, and if you expect nothing more you'll be one among millions of satisfied customers. There's really no other way to approach it--you just have to accept the fact that Independence Day creators Roland Emmerich and Dean Devlin are unapologetic plagiarists, incapable of anything more than mindless spectacle that can play in any cinema in the world without dubbing or subtitles. The whole movie plays out like a series of highlights stolen from previous blockbusters of the 1990s; it's little more than a rehash of the Jurassic Park movies. The derivative script is so trivial that it's unworthy of comment, apart from a few choice laughs and the casting of Michael Lerner as New York's mayor, whose name is Ebert and who closely resembles a certain well-known movie critic. Perhaps that's a clever hint that this movie's essentially critic-proof. It's stupid but it's fun, and for most audiences that's a fitting definition of mainstream Hollywood entertainment. The widescreen Special Edition DVD includes a wealth of bonus materials--audio commentary by the film's special effects supervisors, a "making of" featurette, the Wallflowers' music video "Heroes," a photo gallery, and a variety of features related to this and all the classic Godzilla films from Japan. --Jeff Shannon

Hannibal
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Starring: Hopkins, Anthony Moore, Julianne Liotta, Ray Ivanek, Zeljko Liotta, Ray Oldman, Gary Moore, Julianne Neri, Francesca Neri, Francesca Marescotti, Ivano
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Director: Scott, Ridley	Rating: R	Running Time: 2 Hours 11 Minutes
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Category: Horror	User Rating: 6.2/10 (IMDB)	Color DTS Surround Sound

Amazon.com Yes, he's back, and he's still hungry. Ten years after The Silence of the Lambs, Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realize that the hideously deformed Verger--who, upon suggestion from Dr. Lecter, peeled off his own face--is using her as bait to lure Dr. Lecter out of hiding, quite certain he'll capture the good doctor. Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Does it work? Yes--but only up to a point. Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr. Lecter, and a third unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. --Mark Englehart --This text refers to the Theatrical Release edition.

Interview with the Vampire - DTS
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Starring: Cruise, Tom Pitt, Brad Banderas, Antonio Banderas, Antonio Cruise, Tom Slater, Christian McCollam, Virginia McConnell, John McConnell, John Logan, Bellina
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Director: Jordan, Neil	Rating: R	Running Time: 2 Hours 2 Minutes
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Category: Horror	User Rating: 7.1/10 (IMDB)	Color DTS Surround Sound

Amazon.com essential video When it was announced that Tom Cruise would play the vampire Lestat in this adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicized objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal bloodlust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honoring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, the movie is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon --This text refers to the DVD edition.

Jaws (25th Anniversary Widescreen Collector's Edition)
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Starring: Scheider, Roy Shaw, Robert Dreyfuss, Richard Scheider, Roy Hamilton, Murray Gary, Lorraine Kramer, Jeffrey Filley, Jonathan Filley, Jonathan Fierro, Lee
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Director: Spielberg, Steven	Rating: PG	Running Time: 2 Hours 5 Minutes
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Category: Horror	User Rating: 8.2/10 (IMDB)	Color Dolby

Amazon.com essential video In the vastly overrated 1998 book Easy Riders, Raging Bulls, author Peter Biskind puts the blame for Hollywood's blockbuster mentality at least partially on Steven Spielberg's box-office success with this adaptation of Peter Benchley's bestselling novel. But you can't blame Spielberg for making a terrific movie, which Jaws definitely is. The story of a Long Island town whose summer tourist business is suddenly threatened by great-white-shark attacks on humans bypasses the potboiler trappings of Benchley's book and goes straight for the jugular with beautifully crafted, crowd-pleasing sequences of action and suspense supported by a trio of terrific performances by Roy Scheider (as the local sheriff), Richard Dreyfuss (as a shark specialist), and particularly Robert Shaw (as the old fisherman who offers to hunt the shark down). The sequences on Shaw's boat--as the three of them realize that in fact the shark is hunting them--are what entertaining moviemaking is all about. --Marshall Fine --This text refers to the VHS Tape edition.

The Lost Boys (Two-Disc Special Edition)
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Starring: Patric, Jason Haim, Corey Wiest, Dianne Haim, Corey Patric, Jason Wirth, Billy Gertz, Jami Feldman, Corey Feldman, Corey McCarter, Brooke
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Director: Schumacher, Joel	Rating: R	Running Time: 1 Hour 37 Minutes
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Category: Horror	User Rating: 6.7/10 (IMDB)	Color Stereo

Amazon.com This 1987 thriller was a predictable hit with the teen audience it worked overtime to attract. Like most of director Joel Schumacher's films, it's conspicuously designed to push the right marketing and demographic buttons, and granted, there's some pretty cool stuff going on here and there. Take Kiefer Sutherland, for instance. In Stand by Me he played a memorable bully, but here he goes one step further as a memorable bully vampire who leads a tribe of teenage vampires on their nocturnal spree of bloodsucking havoc. Jason Patric plays the new guy in town, who quickly attracts a lovely girlfriend (Jami Gertz), only to find that she might be recruiting him into the vampire fold. The movie gets sillier as it goes along, and resorts to a routine action-movie showdown, but it's a visual knockout (featuring great cinematography by Michael Chapman) and boasts a cast that's eminently able (pardon the pun) to sink their teeth into the best parts of an uneven screenplay. --Jeff Shannon --This text refers to the DVD edition.

Manhunter (Director's Cut, Limited Edition Set)
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Starring: Petersen, William L. Cox, Brian Farina, Dennis Petersen, William Allen, Joan Lang, Stephen Greist, Kim Noonan, Tom Noonan, Tom Noonan, Tom
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Director: Mann, Michael	Rating: R	Running Time: 245 Minutes
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Category: Horror	User Rating: 7.2/10 (IMDB)	Color Dolby

Amazon.com essential video Though it will always be remembered as the movie featuring the "other" Hannibal Lecter, Michael Mann's 1986 thriller Manhunter is nearly as good as The Silence of the Lambs, and in some respects it's arguably even better. Based on Thomas Harris's novel Red Dragon, which introduced the world to the nefarious killer Hannibal "the Cannibal" Lecter, the film stars William Petersen (giving a suitably brooding performance) as ex-FBI agent Will Graham, who is coaxed out of semiretirement to track down a serial killer who has thwarted the authorities at every turn. Graham's approach to the case is a perilous one. First he seeks counsel with Lecter (Brian Cox) in the latter's high-security prison cell--an encounter that is utterly horrifying in its psychological effect--and then he begins to mold his own psyche to that of the killer, with potentially devastating results. As directed by Mann (who was at the acme of his success with TV's Miami Vice), this sophisticated cat-and-mouse game never resorts to the compromise of cheap thrills. Predating Anthony Hopkins's portrayal of Lecter by four years, Cox plays the character closer to Harris's original, lower-key conception, and he's no less compelling in the role. Petersen is equally well cast, and as always Mann employs rock music to astonishing effect, using nearly all of Iron Butterfly's heavy-metal epic "In-A-Gadda-Da-Vida" to accompany the film's heart-stopping climactic sequence. All of this makes Manhunter one of the finest films of its kind, as well as further proof that Harris's fiction is a blessing to any filmmaker brave enough to adapt it. --Jeff Shannon --This text refers to the VHS Tape edition.

Mummy (Ultimate Edition), The
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Starring: Fraser, Brendan Weisz, Rachel Hannah, John O'Connor, Kevin J. Hannah, John Dunham, Stephen Vosloo, Arnold Fraser, Brendan Fraser, Brendan Weisz, Rachel
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Director: Sommers, Stephen	Rating: PG-13	Running Time: 2 Hours 5 Minutes
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Category: Horror	User Rating: 6.5/10 (IMDB)	Color DTS Surround Sound

Amazon.com If you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into clich�, but who cares? When that action gets going, hold tight--those two hours just fly by. The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny Brown --This text refers to the VHS Tape edition.

Mummy Returns (Full Screen Collector's Edition), The
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Starring: Fraser, Brendan Weisz, Rachel Hannah, John Fehr, Oded Vosloo, Arnold Velazquez, Patricia Rock, The Johnson, Dwayne Johnson, Dwayne Velasquez, Patricia
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Director: Sommers, Stephen	Rating: PG-13	Running Time: 2 Hours 10 Minutes
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Category: Horror	User Rating: 6.1/10 (IMDB)	Color Dolby

Amazon.com Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath). John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff Shannon --This text refers to the Theatrical Release edition. Additional features Fans of the special edition of the original Mummy will find just as satisfying a treasure room in this sequel DVD. Director Stephen Sommers and executive producer-editor Bob Ducsay are back with an animated play-by-play commentary, complementing the movie with technical tidbits and entertaining production stories. The "Spotlight on Location" featurette is the usual promotional puff piece, but the Visual and Special Effects Formation galleries dig deep into four key effects scenes (including the... read more

Ninth Gate, The
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Starring: Depp, Johnny Langella, Frank Olin, Lena Depp, Johnny Russo, James Rodero, Jose Lopez Olin, Lena Amoni, Tony Amoni, Tony Holt, Willy
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Director: Polanski, Roman	Rating: R	Running Time: 2 Hours 13 Minutes
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Category: Horror	User Rating: 6.3/10 (IMDB)	Color Dolby

Amazon.com The horror of Roman Polanski is not about spectacle and shock but a goose-pimply sense of evil lurking just outside the frame and hidden behind the faces of slightly unsettling characters. For a while it looks like The Ninth Gate, adapted from the novel The Club Dumas by Arturo P�rez-Reverte, might recapture the beautiful uneasiness of such masterpieces as Repulsion and Rosemary's Baby. A calm, almost sleepy Johnny Depp plays cynical, unscrupulous rare-book hunter Dean Corso, who's hired by demonologist Boris Balkan (Frank Langella) to authenticate a rare volume that, legend has it, was cowritten by Lucifer himself. Dean leaves a Gothic looking New York (re-created in Europe by Polanski as a sinister city of shadows) for Portugal and Paris to compare Balkan's volume with the two copies known to be in existence and uncovers a mystery with unholy ramifications. He also finds himself at the center of a conspiracy that involves Balkan, a widow who will stop at nothing to retrieve Balkan's book (Lena Olin, who gleefully bites and claws her way through the part), and a mysterious guardian "angel" (Polanski's wife, Emmanuelle Seigner) who shadows his every step. The Ninth Gate is full of rumbling menace and deliciously unsettling imagery, but Polanski's languorous direction and purposefully vague story render a film that's eerie without every becoming thrilling. It's perpetually on the verge of becoming interesting--right up to its obscure final image. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.

Ring (Widescreen Edition), The
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Starring: Watts, Naomi Henderson, Martin Dorfman, David Frost, Lindsay Watts, Naomi Cochran, Shannon Bella, Rachael Tamblyn, Amber Tamblyn, Amber Henderson, Martin
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Director: Verbinski, Gore	Rating: PG-13	Running Time: 1 Hour 55 Minutes
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Category: Horror	User Rating: 7.4/10 (IMDB)	Color DTS Surround Sound

Amazon.com With its disturbing images and a few good shocks, The Ring is the kind of frightfest you'll watch to set a chilling mood or spook your susceptible friends, but when you try to sort it out, this well-mounted American remake (of the 1998 Japanese hit Ringu, based on Koji Suzuki's popular novel) becomes a batch of incoherent parts. The negligible plot follows a Seattle reporter (Naomi Watts) as she investigates the death of her niece, the victim of a mysterious videotape that, according to urban legend, causes the viewer's death seven days later. (Fear Dot Com borrowed the same idea while avoiding this film's lofty pretensions.) The countdown structure follows the reporter, her son, and her estranged boyfriend into deepening layers of terror--all quite effective until the movie attempts to explain itself. At that you're better off shutting down your brain and letting the creepy visuals take over. --Jeff Shannon

Shining, The
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Starring: Nicholson, Jack Duvall, Shelley Crothers, Scatman Crothers, Scatman Nelson, Barry Stone, Philip Turkel, Joe Jackson, Anne Jackson, Anne Beldam, Lia
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Director: Kubrick, Stanley	Rating: R	Running Time: 144 minutes
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Category: Horror	User Rating: 8.2/10 (IMDB)	Color Dolby

Amazon.com essential video Stanley Kubrick's The Shining is less an adaptation of Stephen King's bestselling horror novel than a complete reimagining of it from the inside out. In King's book, the Overlook Hotel is a haunted place that takes possession of its off-season caretaker and provokes him to murderous rage against his wife and young son. Kubrick's movie is an existential Road Runner cartoon (his steadicam scurrying through the hotel's labyrinthine hallways), in which the cavernously empty spaces inside the Overlook mirror the emptiness in the soul of the blocked writer, who's settled in for a long winter's hibernation. As many have pointed out, King's protagonist goes mad, but Kubrick's Jack Torrance (Jack Nicholson) is Looney Tunes from the moment we meet him--all arching eyebrows and mischievous grin. (Both Nicholson and Shelley Duvall reach new levels of hysteria in their performances, driven to extremes by the director's fanatical demands for take after take after take.) The Shining is terrifying--but not in the way fans of the novel might expect. When it was redone as a TV miniseries (reportedly because of King's dissatisfaction with the Kubrick film), the famous topiary-animal attack (which was deemed impossible to film in 1980) was there--but the deeper horror was lost. Kubrick's The Shining gets under your skin and chills your bones; it stays with you, inhabits you, haunts you. And there's no place to hide...Additional Features Available on VHS and DVD editions of The Shining from the 1999 release of the Stanley Kubrick Collection, The Making of "The Shining" is a 30-minute documentary directed by Stanley Kubrick's daughter Vivian, who would later provide the eerie, mechanical music for Full Metal Jacket (credited as Abigail Mead). Rarely seen since it was originally broadcast on British television in 1980, this behind-the-scenes film eschews narration in favor of casual encounters with Kubrick, Jack Nicholson, and... read more

Silence of the Lambs - Criterion Collection, The
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Starring: Foster, Jodie Hopkins, Anthony Hopkins, Sir Anthony Hopkines, Sir Anthony Glenn, Scott Levine, Ted Baker, Diane Smith, Brooke Smith, Brooke Walter, Tracey
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Director: Demme, Jonathan	Rating: R	Running Time: 118
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Category: Horror	User Rating: 8.5/10 (IMDB)	Color Dolby

Amazon.com essential video Based on Thomas Harris's novel, this terrifying film by Jonathan Demme really only contains a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat), and he hasn't forgotten the significance of tone, atmosphere, and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh --This text refers to the VHS Tape edition. Description From Thomas Harris' novel, director Jonathan Demme explodes and reconstructs a classic genre, laying a foundation of emotional and political commitment beneath a perfectly constructed psychological thriller. Fourteen years after her controversial role in Taxi Driver, Jodie Foster finally makes the transformation from helpless victim to rescuing hero in this dark, gender-bending fairy tale of an American obsession: serial murder. As Hannibal "the Cannibal" Lecter, Anthony Hopkins is the archetypal antihero-cultured, quick-witted, uncontainable-a portrait of all the sharpest human faculties gone diabolically wrong. Winner of five Academy Awards�, including Best Picture and Best Screenplay Adaptation for Ted Tally.

Sixth Sense, The
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Starring: Willis, Bruce Osment, Haley Joel Collette, Toni Fitzgerald, Glenn Williams, Olivia Wahlberg, Donnie Collette, Toni Morgan, Trevor Morgan, Trevor Fitzgerald, Glenn
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Director: Shyamalan, M. Night	Rating: PG-13	Running Time: 1 Hour 47 Minutes
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Category: Horror	User Rating: 8.2/10 (IMDB)	Color Dolby

Amazon.com essential video "I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

Sleepy Hollow
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Starring: Ricci, Christina Depp, Johnny Van Dien, Casper Lee, Christopher Walken, Christopher McDiarmid, Ian Jones, Jeffrey Pickering, Marc Pickering, Marc Gambon, Michael
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Director: Burton, Tim	Rating: R	Running Time:
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Category: Horror	User Rating: 7.4/10 (IMDB)	Color Mono

In Tim Burton's stylish, creepy retelling of the classic Washington Irving story, SLEEPY HOLLOW, Ichabod Crane (Johnny Depp) is a squeamish, bookish 18th century New York City investigator sent to a small town in lower Westchester county to look into three mysterious decapitations. When the always rational Crane arrives at the little Dutch village, he finds that most of the townsfolk believe the culprit to be the Headless Horseman, the ghost of a monstrous Hessian soldier (Christopher Walken), who seems to be mysteriously tied in to one of the town's most prominent families. Burton's natural instincts for campy humor, combined with the hauntingly gorgeous technical work (Emmanuel Lubezki's cinematography and Danny Elfman's score included), collide to create a work of exhilarating entertainment and poetic storytelling. Miranda Richardson, Casper Van Dien and Christina Ricci help make up an ensemble cast that, combined with the historically accurate village sets and dreamlike magic of the haunted Western Woods--created on the largest sound stage in film history--makes SLEEPY HOLLOW a visually stunning, gripping, and, at times, chilling film.

Suspiria (3 Disc Limited Edition)
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Starring: Harper Bennett Valli, Alida Kier, Udo Bucci, Flavio Casini, Stefania Casini, Stefanie Kier, Udo Kier, Udo Valli, Alida
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Director: Argento, Dario	Rating: NR	Running Time: 1 Hour 38 Minutes
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Category: Horror	User Rating: 7.2/10 (IMDB)	Color Dolby

Amazon.com Outside of devoted cult audiences, many Americans have yet to discover the extremely stylish, relentlessly terrifying Italian horror genre, or the films of its talented virtuoso, Dario Argento. Suspiria, part one of a still-uncompleted trilogy (the luminously empty Inferno was the second), is considered his masterpiece by Argento devotees but also doubles as a perfect starting point for those unfamiliar with the director or his genre. The convoluted plot follows an American dancer (Jessica Harper) from her arrival at a European ballet school to her discovery that it's actually a witches coven; but, really, don't worry about that too much. Argento makes narrative subservient to technique, preferring instead to assault the senses and nervous system with mood, atmosphere, illusory gore, garish set production, a menacing camera, and perhaps the creepiest score ever created for a movie. It's essentially a series of effectively unsettling set pieces--a raging storm that Harper should have taken for an omen, and a blind man attacked by his own dog are just two examples--strung together on a skeleton structure. But once you've seen it, you'll never forget it. --Dave McCoy --This text refers to the VHS Tape edition.

Vampires
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Starring: Woods, James Baldwin, Daniel Lee, Sheryl Griffith, Thomas Ian Guinee, Tim Schell, Maximilian Boone Jr., Mark Darabont, Frank Darabont, Frank Tagawa, Cary-Hiroyuki
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Director: Carpenter, John	Rating: R	Running Time: 1 Hour 48 Minutes
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Category: Horror	User Rating: 5.6/10 (IMDB)	Color Dolby

Amazon.com Talk about an opening. The first few minutes of John Carpenter's Vampires--in which James Woods's vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that will not pull any punches, it even evokes some of the more disturbing dream-memories of American Westerns. Muscular and uncompromised, the sequence suggests a new Carpenter classic unraveling before one's eyes. Well, dream on. Things don't quite work out that way, but this is still a film to reckon with. There are a few serious (and surprising) misjudgments on the director's part, particularly a mishandling of Sheryl Lee's role as a prostitute poisoned by the bite of a "master vampire" (who pretty much wiped out Woods's team of goon terminators). But aside from some weaknesses, the action is jolting, the suggested complicity of the Catholic Church in destroying monsters is provocative, and the traces of Howard Hawks's continuing influence on Carpenter's storytelling are in evidence. --Tom Keogh